Space 776 is pleased to present “////”, a group exhibition featuring four Korean artists, on view from May 1 through May 26, 2026. The exhibition brings together key artists from the gallery’s first half of the year program.

Four lines are set in place. Not intersecting, yet never entirely separate.

Rather than converging into a single narrative, the exhibition unfolds through sustained divergence. Each artist maintains a distinct formal and temporal logic, existing in parallel without resolving into a coherent whole. What emerges is not unity, but a field of unstable relations—where proximity does not guarantee alignment, and distance does not preclude connection.

Jeoung Keun Chan (b. 1965) develops monochromatic abstract paintings through repetitive gestures and the accumulation of material. Subtle variations within restrained color fields register the density of time, while the surface holds a quiet yet persistent rhythm and tension. In 2026, the artist participated in Asia Week New York, situating his work within an international context.

Song E Yoon (b. 1983) moves fluidly between painting and installation, focusing on the sensory properties of material and the invisible dimensions that underlie it. Her practice traces the emergence and dissolution of form, attending to the flows of energy that accumulate in between. The question of how the invisible might become perceptible remains an ongoing undercurrent in her work. In 2026, she was invited to participate in a collateral event of the 61st La Biennale di Venezia, marking a significant expansion of her international presence.

Sunjoo Jung (b. 1969) engages materiality, memory, and the aesthetics of the everyday through the use of mother-of-pearl. The reflective and iridescent qualities of the material produce subtle shifts in perception, transforming familiar surfaces into perceptual fields that change with light and viewpoint. Her work reconfigures the sensory and temporal layers embedded in ordinary objects. In 2025, she participated in SCOPE Miami Beach.

Beom Jun (b. 1985) constructs layered compositions in oil painting, where waves and mountainous forms overlap to create a dynamic sense of movement. Through repeated brushwork, the surface becomes a site where multiple temporalities and rhythms intersect. Landscape, in his work, is not a fixed image but a fluctuating field of energy and perception. In 2026, he participated in EXPO Chicago.

Across the exhibition, intervals function not as absence but as active sites of tension. Each work presses against the others, generating a shifting topology of relations that remains open, contingent, and unresolved.

“////” does not propose a conclusion. It offers, instead, a set of coordinates—four trajectories held in parallel, and the perceptual space that unfolds between them.